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Television --- Motion pictures --- Mass media and culture. --- Médias et culture --- Production and direction. --- #SBIB:309H1013 --- #SBIB:309H1312 --- #SBIB:309H1512 --- Culture and mass media --- Culture --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Television direction --- Television production --- Media algemeen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Radio- en/of televisie: bedrijfseconomische aspecten, productie- en distributiestructuren --- Production and direction --- Direction --- Mass communications --- Television program direction --- Television program production --- Television programs --- Médias et culture. --- Mass media and culture

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In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.

Silent films --- Music History & Criticism, Vocal --- Music --- Music, Dance, Drama & Film --- Musical accompaniment --- Musical accompaniment. --- Motion pictures-Production and d. --- Motion pictures-History. --- Communication. --- Arts. --- Motion pictures and television. --- Directing. --- Film History. --- Media Studies. --- Screen Studies. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Communication, Primitive --- Mass communication --- Sociology --- Moving-pictures and television --- Television and motion pictures --- Television --- Motion pictures—Production and direction. --- Motion pictures—History. --- Arts, Primitive --- Motion pictures --- Production and direction. --- History. --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- History and criticism --- Production and direction --- Direction

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"This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students"--

Motion pictures --- Television --- Motion picture industry. --- Television broadcasting. --- #SBIB:309H1312 --- Telecasting --- Television industry --- Broadcasting --- Mass media --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Television direction --- Television production --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Direction --- Production and direction --- Télévision --- Industrie du cinéma --- Industrie de la télévision --- Production et mise en scène --- Sociology of occupations --- Film --- Arts du spectacle --- Cinéma --- Production et mise en scène. --- Television program direction --- Television program production --- Television programs --- Industrie du cinéma. --- Industrie de la télévision. --- Motion picture industry --- Television broadcasting --- Mise en scène.

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Violent Women in Contemporary Cinema explores the representation of homicidal women in six contemporary films: Antichrist (Lars von Trier, 2009), Trouble Every Day (Claire Denis, 2001), Baise-moi (Coralie Thinh Thi and Virginie Despentes, 2000), Heavenly Creatures (Peter Jackson, 1994), Monster (Patty Jenkins, 2003) and The Reader (Stephen Daldry, 2008). Violent women in cinema pose an exciting challenge to viewers—when women kill, they overturn cultural ideas of 'typical' feminine behaviour. Janice Loreck explores how cinema creatively depicts the violent woman in response to this challenge. Departing from earlier studies that focus on popular and exploitation cinema, the book takes a unique focus on violent women in art films and other critically-distinguished forms. It explores the appeal that the violent woman holds for spectators within this viewing context. Furthermore, the book also examines how cinema responds to the cultural construction of the violent woman as a conundrum and enigma.

Women in motion pictures --- Violence in motion pictures --- Film --- Music, Dance, Drama & Film --- Women in motion pictures. --- Violence in motion pictures. --- Violence in moving-pictures --- Social sciences. --- Motion pictures --- Arts. --- Sociology. --- Social structure. --- Social inequality. --- Community psychology. --- Environmental psychology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Social Sciences. --- Gender Studies. --- Community and Environmental Psychology. --- Directing. --- Social Structure, Social Inequality. --- Sociology, general. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Cognitive ergonomics --- Ecological psychology --- Ecopsychology --- Ecotherapy --- Environmental quality --- Environmental social sciences --- Human factors science --- Psychoeology --- Psychology --- Psychotherapy --- Ecological Systems Theory --- Psychology, Applied --- Social psychology --- Egalitarianism --- Inequality --- Social equality --- Social inequality --- Political science --- Sociology --- Democracy --- Liberty --- Organization, Social --- Social organization --- Anthropology --- Social institutions --- Social theory --- Social sciences --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Production and direction. --- Psychological aspects --- Production and direction --- Direction --- Applied psychology. --- Motion pictures-Production and d. --- Applied psychology --- Psychagogy --- Psychology, Practical --- Social psychotechnics --- Motion pictures—Production and direction. --- Arts, Primitive --- Equality.